3D Printing Against Daesh: “We Will Recreate What ISIS Destroyed”

digital archaeology
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3D technology comes to the rescue after the destruction of several world cultural treasures by the militant group Islamic State in Iraq and Syria (ISIS).

According to the United Nations, ISIS has destroyed and damaged 200 world heritage sites along with hundreds of statues and artefacts since 2014.

ISIS’ plan is simple. It is about erasing all traces of previous cultures to establish their own and take advantage of the media coverage following massing destructions of historic sites to grab the world’s attention. In addition, this cultural cleaning is a way for Daesh to finance their activities by selling to dealers and private collectors.

Yet those lost treasures that some call “blood artifacts” may not be lost forever.

Through her digital fabrication and 3D printing project “Material Speculation : ISIS”, Iranian artist and activist Morehshin Allahyari chose to focus on the reconstruction of selected artifacts and statues destroyed by ISIS in Iraq in 2015.

In addition, to repair history and memory, each 3D printed object comprises a flash drive and a memory card. The data in these flash drives contain materials: maps, images, videos and pdf files on the destroyed artifacts and sites. They were gathered thanks to a collaboration with different archeologists and historians, including and museum staff.

“Like time capsules, each object is sealed and kept for future civilizations.”
– Morehshin Allahyari

Just like Murehshin Allahyari artifacts, Palmyra has suffered numerous act of vandalism. The Syrian desert city known as the Venice of the Sands lost the triumphal arch from 2,000-year-old Temple of Bel.

Devastated, many archaeologists talked restoration and reconstruction such as American lawyer/archaeologist Roger Michel. Indeed, as the founder of Oxford’s Institute for Digital Archaeology, Michel has built a 3D facsimile arch from Palmyra’s destroyed Temple of Bel.

Thanks to 3D technology, Pamlyra’s rose again in London’s Trafalgar Square last April to coincide with world heritage week. It should then travel on to Times Square in New York City.

London, Trafalgar Square

This 3D replica of the 15-meters arch that formed the temple’s entrance is a gesture of defiance against ISIS’ desire to erase cultural and historical evidence.

“My intention is to show Islamic State that anything they can blow up we can rebuild exactly as it was before, and rebuild it again and again. We will use technology to disempower ISIS.” Roger Michel

Moving for some or uncanny for others, this incredible public display of 3D reconstruction is the proof that new technology can restore entire parts of 20th-century historical sites. Although out of their original context and site, 3D monuments or artefacts might still conserve their precious sense of place and craftsmanship, thus preserving everybody’s heritage.

By Pauline Schnoebelen

3D Printing Against Daesh: “We Will Recreate What ISIS Destroyed”

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3D technology comes to the rescue after the destruction of several world cultural treasures by the militant group Islamic State in Iraq and Syria (ISIS).

According to the United Nations, ISIS has destroyed and damaged 200 world heritage sites along with hundreds of statues and artefacts since 2014.

ISIS’ plan is simple. It is about erasing all traces of previous cultures to establish their own and take advantage of the media coverage following massing destructions of historic sites to grab the world’s attention. In addition, this cultural cleaning is a way for Daesh to finance their activities by selling to dealers and private collectors.

Yet those lost treasures that some call “blood artifacts” may not be lost forever.

Through her digital fabrication and 3D printing project “Material Speculation : ISIS”, Iranian artist and activist Morehshin Allahyari chose to focus on the reconstruction of selected artifacts and statues destroyed by ISIS in Iraq in 2015.

In addition, to repair history and memory, each 3D printed object comprises a flash drive and a memory card. The data in these flash drives contain materials: maps, images, videos and pdf files on the destroyed artifacts and sites. They were gathered thanks to a collaboration with different archaeologists and historians, including and museum staff.

“Like time capsules, each object is sealed and kept for future civilizations.”
Morehshin Allahyari

Just like Murehshin Allahyari artifacts, Palmyra has suffered numerous act of vandalism. The Syrian desert city known as the Venice of the Sands lost the triumphal arch from 2,000-year-old Temple of Bel.

Devastated, many archaeologists talked restoration and reconstruction such as American lawyer/archaeologist Roger Michel. Indeed, as the founder of Oxford’s Institute for Digital Archaeology, Michel has built a 3D facsimile arch from Palmyra’s destroyed Temple of Bel.

digitalarchaeology.org.uk
Temple of Bel

Thanks to 3D technology, Palmyra’s rose again in London’s Trafalgar Square last April to coincide with world heritage week. It should then travel on to Times Square in New York City.

This 3D replica of the 15-meters arch that formed the temple’s entrance is a gesture of defiance against ISIS’ desire to erase cultural and historical evidence.

“My intention is to show Islamic State that anything they can blow up we can rebuild exactly as it was before, and rebuild it again and again. We will use technology to disempower ISIS.” Roger Michel

Moving for some or uncanny for others, this incredible public display of 3D reconstruction is the proof that new technology can restore entire parts of 20th-century historical sites. Although out of their original context and site, 3D monuments or artifacts might still conserve their precious sense of place and craftsmanship, thus preserving everybody’s heritage.

By Pauline Schnoebelen

Featured image (‘Temple of Bel’): ICONEM is a young Paris based start-up focused on 3D reconstruction and analysis of endangered archaeological sites, which the group considers to be part of our common heritage. To prevent destruction caused by conflict, looting or natural disasters, they send teams on the ground to train people and help them document this heritage.

Artist Douglas Coupland 3-D scanning and printing Canadians for 4-year project

Douglas Coupland
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Vancouver, British Columbia artist Douglas Coupland is visiting Simons department stores across Canada, scanning and 3-D printing customer volunteers for an art project that will be unveiled in 2019. The project will be shown in conjunction with the opening of a new Simons location in Yorktown, Ontario. Commissioned by Peter Simons, CEO of the Canadian chain of department stores, the work intends to emphasize the chain’s ongoing support of the arts.

Titled 3DCanada, Coupland’s project will be a collection of miniature busts of the individuals who are scanned during his tour. He plans to scan around 1,200 people in total over the course of his tour. Each finished bust will be roughly five centimeters in height, and the artist plans to apply gold leaf to the white plastic in the final piece. Coupland’s idea for the project began when he purchased his own 3-D printer and began offering personalized busts to house guests.

The artist is known for his work with technology and speculative futures, having achieving wide-spread recognition for his 1991 novel Generation X: Tales for an Accelerated Culture. Waxing existential on the subject of the 3-D printed objects, Coupland notes that the idea of 3-D printing seems to hang between the 2nd and 3rd dimensions. Each bust is effectively a mirror that can be viewed from all angles.

Coupland plans on continuing his tour until 2017, visiting a total of six Simons locations. His visits will take place on Saturdays during regular business hours, allowing roughly 100 people per visit the opportunity to be scanned. The scans are free and each volunteer will receive a bust which will be ready for pick-up the following week. The next two scanning sessions will take place at Simons locations in Vancouver, BC and Mississauga, Ontario.

The Globe and Mail

Montreal Gazette